Category Archives: immersion

Day 10 #nanowrimo

Daily insights from the National Novel Writing Month

By Emma Palova

EW Emma’s Writings

Lowell, MI -It’s the second weekend of the National Novel Writing Month. It’s a dreary day out there, a perfect one for writing. However, I have to tend to my family too. So, I broke up my morning writing routine to spend some time with our son Jake and the kids, Josephine and Dominic. Luckily my husband Ludek made dinner: brussel sprouts, ham and gnocci. I don’t want to be a starving writer all the time.

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I continued to write in the afternoon logging in with 21,900 words, a lot less than I wanted to. I was hoping to reach the half-way mark tomorrow in the 50K word marathon. I talked with mom Ella a little bit. We usually chat on Sundays, but my parents are going to a Vereran’s Day concert at Ferris State University.

Since, I am working on a historical fiction story “Silk Nora” (c) 2018 Emma Palova as part of the new anthology “Secrets” (c) 2018 Emma Palova, I had to do some research. Normally, I wouldn’t mind if the clock wasn’t ticking. Still, I was delighted to find out some facts from the 1920s: pastry pigs as desserts, cordials for cocktails, the cloche hat, and the increased use of the radio and the phonograph.

I looked up the menu for the 1920s on the Internet and this immediately came up on inliterature.net Book Inspired: “Throwing a 1920s Great Gatsby party; the Menu from the Book.”

In a way the 1920s era reminds of what’s going on right now as we approach 2019: increased independence of women, new devices with streaming, Tesla’s “Starman” in space and overall progress in every field.

I feel privileged to be a part of the inevitable progress in humanity by participating in #nanowrimo and its nobel goals of spreading the power of words around the globe. I have a clear intention of publishing “Secrets”, a sequel to my debut book “Shifting Sands: Short Stories” (c) 2017 Emma Palova.

Excerpts from “Silk Nora”

Dressed up to the nines, they walked to Hotel Belding where everything was set up to start as soon as the town clock struck 8 p.m. Nora and Mathilda were in awe since they have never been in the Rose Ballroom reserved for special occasions.

This was a very special occasion since the Belding brothers, Hiram and Alvah were expected to attend the benefit ball for Red Cross. The World War I had broken in Europe, and there was no end to it.

The Rose Ballroom was decked out in fall colors of orange, yellow, brown and green.

Doris after all was coming since it was a ball for the Red Cross. The stately matron was coming with the crew from the hospital.

They were all  seated at the same round table for 12. Nora kept watching the door nervously, if Harry was going to show up. He was supposed to cover the event for the Belding Banner. Nora was shocked when Doris entered through the main door to the ballroom sporting a short bob hiding under cloche hat.

“Doris, you look absolutely ravishing,” said Nora as she stood up the greet the matron and the team.

“I couldn’t resist, dear,” she said jovially. “How do you like it?”

“It’s absolutely adorable,” said Nora, “and your dress, it’s lovely.”

Doris had the dress made for last year’s New Year’s Eve ball but didn’t end up going because of an emergency at the hospital.

Seamstress Lulu with her Lulu’s Fashions was located on Main Street next to the Millinery Shop. At the time, women were expected to wear hats. To go outside without a hat was considered not just unfashionable, but rude and a display of bad manners. Compared to dresses, hats were fairly expensive. Women spent between 20 cents and $7 on a hat. To have two hats look alike was unheard of. The milliner sewed each hat by hand and made it unique to the owner. Being a milliner, was one of the few occupations women were allowed to work along with the seamstress profession.

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Winter arrives on Day 9 of #nanowrimo

TGIF, Daily insights from #nanowrimo

By Emma Palova

EW Emma’s Writings

Lowell, MI – It’s Day 9 for the National Novel Writing Month participants, and it’s Friday. I couldn’t be happier. I logged in a total of 20, 242 words with “Silk Nora.” (c) 2018 Emma Palova. The story is taking on a nice historical spin that I will carry on into the weekend.

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Thanks to the characters, both old and new. I wouldn’t have been able to do it without you. And of course the lovely historical setting of Belding on the banks of the Flat River makes everything flow.

At the daily rate of 1,667 words, you really don’t take a break on the weekends, because you wouldn’t make up for it, unless you’re a writing machine. It reminds me of the studying sprints before the exams at the University of Brno.

But, writing daily is also the only way to get a novel or any piece of literature to print. The next badge is set at 25,000 words, which will mark the half-way point of the 50K creative project.

It is my clear intention to see the new collection of short stories “Secrets” (c) 2018 Emma Palova, which is a sequel to “Shifting Sands: Short Stories,” to print.

Insights

The project keeps you accountable and helps you move forward. You have to find your optimum writing window during the day or night.

If you can do any prep work outside of writing time, do it. Revise later. Keep track of revisions. I do it on one note. Rome wasn’t built in one day either. Stay motivated and focused. There isn’t really much time to fight with your inner editor, just keep on writing. Get up hourly for five to ten minute breaks.

Excerpts

Nora unpacked her petticoats, camisoles, bloomers, black stockings and an extra nightgown and went down to the main lobby. She could smell the dinner from the kitchen downstairs by the main dining room. Nora was waiting patiently to get connected.

“Mother, thank you very much for the dresses and the furniture,” she said. “It arrived today on the afternoon train.”

“How are you and how is your new home,” mom as always wanted to know everything at once and immediately.

“I love it here, mother,” Nora said. “I’ve already made friends, and there are only good people here.”

“My dear, there are good people wherever you go,” said mom. “But, I did fear for you. It must have been a long journey, was it not.”

“Yes, it was,” said Nora.

“But, mainly how is the work, Nora?” asked mom. “Do they treat you well?”

“It’s nice to have my own money, but I do spend a lot of time at the mill,” said Nora. “I’ve made friends there and at the dormitory.”

“Is it nice; is the “Bel” nice?” asked mom, who even knew that the dormitory was called the “Bel.”

“Oh, it’s absolutely exquisite and Doris is fabulous,” said Nora immediately feeling guilty about her friendship with Doris.

“Who is Doris, my dear?” asked mom.

“Doris is the matron at the dormitory and the main nurse at the hospital,” Nora said.

Then, the phone went dead as it got disconnected.

That evening at the main dining room, a lively chatter warmed up the space between the white walls. Mathilda was back from her trip to Alpena. The two girls chatted about Mathilda’s trip and family.

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Day 8 #nanowrimo

Daily insights from the 50K word marathon with excerpts

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By Emma Palova

EW Emma’s Writings

Lowell, MI- I don’t know about the rest of the 500,000 people who are participating in the National Novel Writing Month around the globe, but I struggled today. I didn’t have time to check with fellow writers on social media.

Exactly one week into #nanowrimo, I logged in 1,200 words for today with the historical fiction piece “Silk Nora” (c) 2018 Emma Palova; that is less than the required daily rate of 1,667 words. I had to go to town and go about business, other than writing. And somewhere along the road, I caught the bug, sneezing and caughing all day. That all signifies that we’re getting the first snow tomorrow, that will actually stick to the ground.

Plus, I wasn’t completely sure, if I wanted to pursue the new story that required some research. But, I went for it, so the story will become a part of the new collection of stories: “Secrets” (c) 2018 Emma Palova. It is my clear intention to see this project to print.

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Book cover for “Secrets” aka the Face of Gossip.

The story began to unravel itself with new characters like Nora and Doris, along with old historical characters, the Belding Brothers. That brought up my total word count to 18,605 words with the plot ready to go.

Here is an excerpt:

Nora worked at the Richardson Mill located on the banks of the Flat River. Every morning she punched the clock at 6 a.m. and sat at her station by the window with hundreds of other girls. They made silk thread used for making stockings, long before nylon or rayon.

Long days spent inside the factory were offset by leisure time in the city parks located on the Flat River and on the boardwalk leading to the library.

Nora and Mathilda walked the city streets together enjoying their youth and independence. The women flouted conventional standards of behavior of homemakers and were on the cusp of the women’s right to vote in 1920. The 1920s represented the jazz age, a time of liberation for the feminine form. Women’s clothing became more comfortable and simplistic. The flapper proudly showed her liberation by bobbing her hair, rolling down her stockings, dancing the Charleston in her shorter gown and wearing the new look in hats.

Signs of progress were touchable everywhere from the interior six bathrooms at the “Bel” to a space designated for women in the saloons of the bustling city. At the time, the city of Belding had four hotels.

Known as the “Silk City Girls” the young women spent much of their time weaving silk on spools. Silk at the time was on high demand as the major feminine fabric due to the existing shortage of woolens and cottons.

Nora and Mathilda worked together long hours at the silk mill earnings 47 cents an hour. The Belding Banner called the girls “Sweethearts in Silk” blasting propaganda about their happiness with headlines such as “The Silks with Happiness Woven into Them.”

The girls sat at their stations on the floor of the factory in orderly rows. The downstairs of the Richardson Mill was used for making stockings.

Note: As of March 1, I continue to revise the short stories in “Secrets.” As I move ahead with the publishing process, it is important to me to give full credit to the Belrockton Museum in Belding for inspiration, information and finally the cover of “Gossip.”

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Day 6 #nanowrimo

Daily insights from the National Novel Writing Month creative project

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By Emma Palova

Lowell, MI- I wrote and I voted, equally diligent, and in that particular order. I am a morning writer. I get up early, do my yoga, walk on the treadmill and meditate to get into the writing zone.

In today’s meditation, I found out that news can be a potential stressor. The Wrimos (Writers and pep speakers) reiterated the same statement; stay away from TV during the 50K word marathon through Nov. 30. Our friend Dave T. suggested the same in the congratulatory letter to Ludek’s U.S. citizenship:

“All I can say is pay little or no attention to the ‘Cat Fights’ that are played out in the glut of political ads found on television! They are an exerci$e in how to wa$te million$ of dollar$ to make TV $tation$ rich!”

I did however like Google’s Go Vote encouragement instead of the usual doodles or caricatures.

“I Voted, Google.”

After four hours of writing “The Writer, the Nun and the Gardener”, my inner editor kicked in and started questioning my thought process and my morals. I knew I had enough of writing and I headed out into the misty day to the polls.

I was voter no. 511 voting at Precinct 1 at the Vergennes Township Hall at 1 p.m. The ballot was crowded with state and county proposals. I was perplexed by the last question asking for funding of the early childhood program. How was it funded before?

I walked on the wet boardwalk from the township hall and put the “I Voted” sticker on my winter jacket before I lose it.

After I recorded my thoughts on how to end the story that doesn’t seem like a short story anymore on the banks of Murray Lake, I was relieved to do a little bit of website updating for Fallasburg.

Anyway, I logged in 13,050 words lowering the daily quota to 1,448 words. That’s still a lot of intense writing. I had to skip some of the motivational talks on Instagram in order fullfill the quota.

It is my clear intention to publish the anthology “Secrets” (c) 2018 Emma Palova as a direct product of #nanowrimo. It is a sequel to my first book “Shifting Sands: Short Stories.”

Here are excerpts from “The Writer, the Nun and the Gardener.”

Years went by faster than minutes on the clock on the wall, Sister Theophane went through more rigorous discernment. One Saturday afternoon, she decided to take a walk on the trails. She just followed the one that seemed familiar to her. There were the cherry trees on the left and the deer tracks on the right. The trail went a little up the hill and into another curve before the opening on top of the hill.

She stood by the bench under the big tree overlooking the rolling hills. The essence of that afternoon long time ago vaguely came back to her. Theophane could feel Kurt’s touch. She forgot completely what he looked like. They were too young back then to savor their memories.

Saddened by the moment, Theophane headed out on the trail looping back to the convent gardens. The gardening team was working along with other sisters. It was the Saturday work day. And the community was getting ready for another event.

Theophane was so immersed in her discernment and studies for the promotion, that she forgot what the event was.

“Hello, Sisters,” she said. “What’s the rush?”

“Mother, we have another 5K run coming,” said one novice. “Have you forgotten?”

Theophane looked into a distance bringing back that ominous 5K run many years ago.

“When is it?” she forced herself back into reality.

“In four weeks,” said the novice.

Theophane realized that by then, she would become the Mother of the Order. Karla passed away two months ago, and a directive came from the administration that Theophane will be taking over.

“You have only a few weeks to get ready for this important new service,” the note stated. “Don’t let your ambition get to you. Stay humble and pray.”

This time the ceremony was very private unlike the public final vows; no public was allowed. The chapel was full of other nuns and clergy.

Theophane kept her sister name. She learned to love and to respect it. From now on she would be leading the lively campus with many work teams. She would have to get acquainted with the team teams.

On a Monday, Mother Theophane went to introduce herself to the gardening team. As a girl she loved to garden. That all vanished with the increased requirements by the order.

“I want to express my deepest gratitude for your work that glorifies these gardens,” she said to the team. They bring so much joy to all of us.”

She noticed a tall tanned guy in the back.

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Day 5 #nanowrimo

The National Novel Writing Month enters its first full week. You can still hop on, but don’t wait too long.20181013_1710581479127963976896721.jpg The average writing rate per day is 1,667 words.

 

via Day 5 #nanowrimo

Day 5 #nanowrimo

Happy Monday Wrimos,

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We rolled into the first full week of the National Novel Writing Month at full speed with pep talks from author Andy Weir:

“First off, you have to accept that you’re not going to be blazing away in a creative euphoria all the time,” he wrote. “Next, you have to accept that your story will change as you write it.”

Now, that I consider solid and decent advice as I forge ahead with “The Writer, the Nun and the Gardener” from the new anthology Shifting Sands: Secrets (c) 2018 Emma Palova. I have a clear intention to publish this sequel to Shifting Sands: Short Stories (c) 2017 Emma Palova.

The characters have changed their roles and their names as they continue to evolve with the plot. This is my third day plugging away and it has taken young Zita from her disappointed world into a different one.

I struggled a little bit with the changes, but as Weir writes about the “rough patches” during the writing process: “When you read the pages later, you won’t be able to tell which ones you wrote in a good flow and which ones were hard.”

That’s something to keep us going through the inevitable “rough patches.”

I validated my word count at 10,016 words on http://www.nanowrimo.org

Yay!

The next writing badge is set at 25,000 words, but I will divide that chunk into smaller pieces to make it palatable.

Here is an excerpt:

As weeks went by, Dona grew accustomed to the feeling of emptiness. She stopped the numerous attempts to reach her daughter. Zita’s phone number did not exist anymore. She could wait for letters or messages; none ever came.

Summers turned into fall and winters, and these turned into years.

Kurt called Dona several times inquiring about Zita, if she had changed her mind. He was already back home from the college overseas, but he hadn’t forgotten his high school girlfriend.

“How is she doing, Dona?” he asked occasionally. “Is she okay?”

Kurt was the only lifeline from the past to Zita, so Dona always answered unlike other phone calls. She stopped talking to Wilsa, since she was the messenger of the bad news.

“I don’t know, Kurt,” Dona said. “We haven’t heard from her in five years.”

As winter arrived with first snow, Dona finally received an ornate envelope with the insignia of the Dominican Sisters order.

It was an invitation to Zita’s final vows at the convent. Dona was shocked to read the signature: Sister Theophane. That was Zita’s new name forever.

“This is the last time, we will see our daughter,” said Dona.

“No, you don’t know anything about it,” said Mike, “These Sisters can come out into the public.”

“I don’t want to see her anymore after this,” said Dona.

Veni Sancte Spiritus played in the background of the chapel with huge organ pipes in the front. Then, the Sisters sang psalms. Mike and Dona sat in the back of the chapel. Dona noticed  Kurt standing on the side by the stained glass windows.

Their beautiful daughter dressed in a white bride’s gown with a wreath of yellow roses on her head, now Sister Theophane, walked alongside Mother Karla to profess the final vows. Mother Karla stepped aside to make room for new blood. Sister Theophane prostrated on the wooden floor in front of the priest and then recited the vows and received a ring. As such, she was the “Bride of Christ.”

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Storyteller 2017- Fueling the passion with book excerpts

Fueling the passion of the Storyteller 2017 with book excerpts, part IV

 I have named my book campaign Storyteller 2017 because I am so excited about this epic year full of big changes.

Follow me on my journey from writer journalist to author of Shifting Sands Short Stories to be released on June 30 on Amazon.

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This is the fourth part of the Storyteller 2017 series following the introduction on June 20, the Beginnings on June 21 and the Impermanence of characters in the Shifting Sands Short Stories on June 22.

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 As I have mentioned in the previous installments, I have divided the 13 stories in the Shifting Sands Short Stories collection thematically and chronologically into three circles.

The first circle of stories draws on the early years of immigration experience of learning French in Montreal, and taking creative short story writing at the International Correspondence Schools, ICS.

Those were the transformative years or impermanence for me and the characters like Danillo in Danillo, Vanessa in Honey Azrael and the couple Martin and Ellen in the Temptation of Martin Duggan.

The second circle of stories reflects the time for assimilation into the American culture. These include: Tonight on Main, Therese’s Mind, Boxcutter Amy, Orange Nights and the Death Song.

The characters in the second circle suffer from the boredom of a daily routine in a store, but they fear change. The setting is rural Midwest America. I created the town of Riddleyville with its secrets and vices. The Riddleyville characters range from robust Big Irma, Shorty, philosophical Ula, pretty Rachel, boxcutter Amy, sick Therese to deceitful Vadim in the Death Song.

Here is an excerpt from Orange Nights:

The store kept its secrets in the backrooms where the employees gathered for breaks and meetings. Things not said on the floor, were exaggerated here freely over nasty coffee and lunches brought from home in plastic containers.

The kid who extended his stay at the store instead of going to college usually cleaned the backrooms and the public restrooms. Sometimes he worked in the smelly bottle room. Customers and  employees called him “Shorty.”

It just caught on.

“Hey, people, do you have to make such a mess or what?” he asked.

If Shorty was in a bad mood, he’d complain, and mop the floor under your feet, and knock down your lunchbox.

He wasn’t a typical loser, he just acted like one.

The second shift already faced the remnants of the day, including the bad attitudes and unfulfilled dreams of yesterday.

The saying around the town of Riddleyville was that at one point in time, everyone has worked at the store for a million different reasons.

My passion for writing continued to grow as I took journalism classes at the Grand Rapids Community College (GRCC) in the mid-1990s. At that time I wrote feature stories for the GRCC paper the “Collegiate.”

I wrote a chunk of the short stories, while taking these classes and working at the store.

The passion continues in the next part V of the Storyteller 2017 series.

The book Shifting Sands Short Stories is now available for pre-order on Amazon at:

 

 

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Impermanence in Shifting Sands Short Stories with excerpts from book

Storyteller 2017 journey from writer journalist to author

By Emma Palova

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Author’s note:

In the Storyteller 2017 series leading up to the June 30 publication of Shifting Sands Short Stories, I write about the origins of the characters and the stories.

I’ve named my campaign Storyteller 2017 because of the big changes taking place this year. These changes continue to inspire me, along with my passion for history, arts and nature.

I can divide the 13 stories in the book into three circles: The first circle draws on my early years of immigration to North America, and living in between Canada and the USA.

These stories in the first circle include: Danillo, Honey Azrael and the Temptation of Martin Duggan.

The second circle of stories is from the time of assimilation into the American culture. These stories draw on my experience of working in a Midwest retail store. They include: Tonight on Main, Therese’s Mind, Boxcutter Amy, Orange Nights and the Death Song.

The third circle of stories is from the newspaper business for various media; on staff and freelance. These stories include: Foxy, In the Shadows, Iron Horse, Riddleyville Clowns and Chatamal.

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The characters in the first immigration circle of stories Danillo in the story “Danillo”, Vanessa in “Honey Azrael” and Martin with Ellen in the “Temptation of Martin Duggan” embody impermanence as they struggle under the burden of immigration.

They find themselves in a transient state between their old countries and the new American world. They have trouble adapting to the new culture in everything that surrounds them: food, people, spices and love.

In that aspect, the characters are living in a state of impermanence, and as such are transient for the rest of their lives like  driftwood on the beach.

Also the featured photo of transient dew on grass in the morning.

Transient

They adapt or go back to the old status quo in their homeland. Either way this struggle transforms the transient characters into a new state.

Excerpts from “Danillo”:

He had trouble adapting not only to the winters Up North, an expression Danillo never quite understood, but also to the language. And of course loneliness. He had no friends, except for old Jose on the apple farm.

His family was thousands of miles away. His only connection with the warmth of home was the phone, the letters and memories of the past; the rising and the setting sun on the horizon of the small bay.

Danillo was living between the sunny past and the cold present. Back home by the Sierra Madre, he used to drive to the warm waters of the bay, but here Up North, the waters were cold.

Another cold wave came and washed more sand from under his feet.

About the design of the cover to Shifting Sands Short Stories by Emma Palova:

People have also been asking me about the cover design to the Shifting Sands Short Stories collection.

I used the hour-glass with the shifting sand as an anchor to the cover. The grains of sands make up the characters like the genetic make-up of our DNA. This was inspired by Dali’s fascination with genetic spirals. The grains shift like the destinies of the characters, like the fluid energy of our lives.

Further the  mood/tone of the stories  is expressed in the shade of the hour-glass and the fallen mauve colored petals of a tulip at the base.

Watch for more excerpts from Shifting Sands Short Stories now available for pre-order on Amazon

at

 

 

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Storyteller 2017 with excerpts from book

The beginnings of Shifting Sands Short Stories

 I have named my book campaign Storyteller2017 because I am so excited about this epic year full of big changes.

Follow me on my journey from writer journalist to author of Shifting Sands Short Stories to be released on June 30 on Amazon.

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Storyteller Emma 2017

I started writing short stories in grade school in Stipa, Czech Republic when I won a short story contest with a story from a summer camp in Texas under the tutelage of Czech language teacher Mr. Dolezal.

But, a more coordinated and structured effort came with the creative writing program at the International Correspondence Schools (ICS) in Montreal, Canada, 1990-1993.

The first circle of stories was inspired by the early years of immigration from our homeland former Czechoslovakia to Canada, and then to the USA. During that time I wrote short stories that I now call the first circle: Honey Azrael, Danillo and the Temptation of Martin Duggan.

For 3.5 years, we lived in Montreal, and I went to the French language immersion school COFI. The French classes and the students inspired the story Danillo. I transported the character and the setting to the shores of Lake Michigan and to one of the apple farms.

The common elements in the first circle of short stories are the powerful forces behind immigration. These are loneliness, being homesick and the fear of the new strange culture. The main character Danillo longs to go back to his home country, as he struggles to assimilate into the new American culture.

Honey Azrael depicts a woman chemist Vanessa who is no longer in love with her first husband, Rudi. She loves her collection of beetles more than she loves Rudi.

In the Temptation of Martin Duggan, the couple who left Czechoslovakia due to the 1968 invasion of their homeland by the Soviet Army, tries to desperately fit into the small pretense culture of a small university town close to Lake Michigan.

 

 

Here is an excerpt from Danillo:

 

 

“He came with the warm southern winds, and the birds. On the first spring day, Danillo was 23. Young and strong, with a body designed to love. It was a body pure and perfectly cut for any woman. The skin covering his muscles was tight. The color of Danillo’s skin was the color of the sand that he was standing in.

He was half dreaming, subconsciously perceiving the light spring wind. From the vantage point, Danillo could see the green water coming in and out of the small bay. Each wave washed away some sand from underneath his feet, like small grains slipping away from his brief life. He felt cold and the chill surprised him. Danillo was counting the endless waves, as well as his years.

This was his third birthday Up North, as he learned to call it from the locals. He never quite understood the expression Up North. Every spring, he came to the beach to watch the winter birds arrive from the South.

To be continued………in the Storyteller 2017 series leading up to the release of Shifting Sands Short Stories on June 30.

You can pre-order now at:

https://www.amazon.com/Emma-Palova/e/B0711XJ6GY

 

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Cultural Tourism Passport D.C.

Of Brassy happenings in Washington D.C.

Among these was the cultural tourism event in May Passport D.C. Freelance writer Sarah Harmon explored various cultures from around the world.
Read her story.

Source: Cultural Tourism Passport D.C.